Following up on the design of the ‘Absolute Casserole‘ Taskmaster design, I made a short video of Mike Wozniak doing the Casserole Dance.
Process
I made the video using in CapCut. I reused the cut-outs I had made for the original design. The banjo tune I found on Freesound forms the music and sounds a bit like a balalaika. In the first episode, Mike played a balalaika with one hand. Also, for the first prize task – bring in something you can carry, but only just – Mike brought in ‘a tune’, and gave us the immortal animals song.
The casserole dance itself is made using the two extremes of the pose. In time with the music, they are alternated and moved around a bit. The background is the interior of Roman Abramovich’s private plane.
The final seconds, where the four images appear and move and are then transformed to the final design involved a bit of trial and error. Getting the parts to match where they should be took a bit of time. Then a cut-out mock-up model in the shirt appears and the music plays us out.
Once again, I’ve turned to Taskmaster to provide inspiration for a new design for the Heath Way Prints shop. It’s the turn of Mike Wozniak, again. Previously I’d made a pop art-ish picture of him looking his toughest. This time, he’s got to dance.
I started with a different design in mind. Mike Wozniak is one of the most quotable contestants on Taskmaster. I’ve seen a few designs on RedBubble that are collections of his quotes and nothing more. I wanted to go a bit further.
I’ve made double exposure images already, such as this one of Michael Sheen. Initially I tried to add text over a double exposure of Mike doing his solo ‘Fart’ task1. But it didn’t look good, the text was too dim and the image behind wasn’t clear.
Double exposure of Michael Sheen. The profile has been mucked around with, then a glow added behind the foreground image.
While preparing the screenshot to act as one of the images, I saw that when Mike was trying to fart he was dancing. Why not collect some of these and make a dance montage?
I took four screenshots, three with Mike at one or other extreme of the dance, and one where he actually farted. Using Canva, I deleted the backgrounds, added a duochrome filter, and arranged them in the order I wanted.
I saved the collage of black-and-white dancing Mikes and opened it in Inkscape. Here, I traced around the shirts of the four Wozniaks and gave them different colours. The final one is blue, which is the original colour of his shirt. Pink, yellow and green seemed to be suitable choices for the other three. It also gives a bit of a Beatles ‘Sgt Peppers’ vibe.
For the final design it was back to Canva. I had downloaded the colours as a single image, and also the monochrome version of the dancers. This made it easier to match up the colours and monochrome versions since I knew they were the same size and in the same position on the page. Hindsight is a wonderful thing.
The three parts of the final design. Colour for the shirts, black and white Mikes and some text.
Matching up the images, I placed the colour version on top and decreased the opacity until the colours were obvious and and folds of the shirts showed through. I’d used more intense colours in Inkscape than I was aiming for in the final design, because I had planned to use semi-transparent image.
Final design
Then, some text for the final design. The title of the episode where this task was shown was “Absolute casserole”. They always use quotes for episode titles; this was Mike’s description of his bum after the fart. So what better text to use? The font was Special Elite, a typewriter font I’ve used a lot, especially with Taskmaster related images. And a black background hides the cut-off of Mike’s legs.
Extra points for making a design that has a lot of black show up on dark clothing. Re-uploading the design to Canva I added a think white outline, which does the job.
The final design on white t-shirts.
We always hang in a casserole dance
I’d dubbed the design ‘Casserole Dance’ and regretted it throughout the design process. This was because Neneh Cherry’s 1988 song ‘Buffalo Stance’ started going through my head and wouldn’t shift. Not that I dislike that song, but a few hours of it gets a bit wearing.
His task was : “Fart. Fartest wins.” He was the only contestant to do this. ↩︎
Michael Sheen double exposure. I did this to see how it was done, rather than for any particular design.
I’ve been exploring Inkscape a bit more recently. On the back of the pop art images I did previously for Columbo and Murder, She Wrote, I found that I can replace a photograph with an unshaded version with a restricted colour palette.
Simple logos
There are a few names for this style of image, Minimalist Vector Portraiture or Faceless Flat Illustration are two that AI gave me.
Before and after pictures of John Kearns. in the screen grab he’s asking Greg “Do you own a fridge?” To which Greg replies “I’m not being arrogant. I have three fridges.” This got a ‘woo’ from the audience.
On the face of it, it’s a simple enough process. You trace over an image to make shapes that you colour in. This is the sort of thing you could also do with paper and scissors, but using a computer means you can change the colours when you like.
I used a function called ‘Colour Picker’ that’s part of MS PowerToys to get the correct colours. I choose a pixel on an image (in this case the original photo) and the hex code for that area is shown. Then I used that as the colour for whatever I’m making. For areas like John’s face and his hair I selected a representative colour.
For a design that can go on RedBubble I added a short quote from John Kearns’ time on Taskmaster.
Taskmaster
John was on the 14th series of Taskmaster, a show I have written about previously. Of that cast, I knew Dara Ó Briain and Sarah Millican. Fern Brady, John Kearns and Munya Chawawa were unknowns.
This was one of the best casts in the show’s history; the last three series (19, 20, and 21) have all been top notch. Ó Briain and Millican were the ‘established anchors’ on the panel. This gave the younger, less well known, members the freedom to go their own way. They could do this safe in the knowledge that the others on the panel – and Greg, Little Alex Horne and the crew – would be on hand to provide scaffolding and support for them.
John in particular seemed to struggle with the show, and with the concept of having fun. At one point, Greg suggested that John ‘processes fun in a different way to the rest of us’. The prize tasks in particular gave him some trouble, until he hit the jackpot with his final prize, a fridge magnet of Jet from Gladiators.
The exchange leading up to the reveal of the prize started with John asking Greg: “Do you own a fridge?”
“I’m not being arrogant,” replied Greg. “I have three fridges.” This got a ‘wooo!’ from the audience. It was quickly established that Greg had no magnets on his fridges, maybe he would like a Jet from Galdiators magnet. Greg said he would, and gave John top marks.
To go with John’s face, the first line from the exchange is included. I opted for the Badhorse font for this. The theme of the series 14 was ‘circus’, this is a suitable font that is also very clear.
Final design, with Badhorse text, and modelled on one of my tame virtual models.
The t-shirt is available in the Heath Way Prints shop. You can also get a fridge magnet that asks ‘Do you own a fridge?’ for a fridge-based existential crisis.
Up until now I’ve used a cartoonised version of an old photo of me as the ‘face’ of Heath Way Prints. I’ve now replaced ‘handsome Dave’, as I called him, with the minimalist version of a recent photo that Mrs S took1.
Minimalist vector portrait of me, now being used for RedBubble, Facebook and Pintrest.
For the hair, I used two colours. Since I’m greying at the temples, two grey bands work there. My main colour is dark brown, so that’s what I used for the top of my head.
The main purpose was to update my listing on the background artist agency I’ve been registered with for a year. No work yet, but there’s always hope. ↩︎
I’ve written about Taskmaster before. It’s my favourite programme at the moment, the last two series (19 and 20) rank among the best. It’s got astonishing longevity; Alex Horne has hit upon a winning formula and he carefully selects groups of comedians who make a concerted effort to make the whole thing as much fun as possible.
Back in the distant past of Series 6 (broadcast in 2018), the final task of the series asked the contestants:
Tell the Taskmaster you love him in the most meaningful way.
As is typical, the contestants found wildly different ways to do complete the task. Tim Vine dressed as Greg’s mum and told Greg that he is her favourite child. Russell Howard didn’t have sex with Greg’s mum. Alice Levine got a toy aeroplane to fly a meaningful message for Greg. Asim Choudhry performed a rap declaring that he wanted to have Greg’s babies.
Three of the five attempt at the ‘show your love’ task. Alice sent a heavily caveated declaration of love, Asim said he wanted to have Greg’s babies and Tim dressed as Greg’s mum. Not shown: Russell not having sex with Mrs Davies (not very interesting) and Lisa’s go, because that’s what this section is going on to talk about.
Lisa Tarbuck, the series champion, hit the ball out of the park with her demonstration. She asked for a large cake topped with confectioner’s custard. Then she said to Alex:
Take yourself somewhere private and put your bare arse into it.
And so it was that Alex took himself to the shed, pulled down his pants and, with carefully positioned cameras recording the event, sat bare-arsed on a cake.
His expression of horror/ delight has stayed with me for years. He had an experience unlike anything he had known before and changed him. “He was a different man1,” Lisa declared.
Alex Horne’s life changes forever. He now knows what love is and also managed to absorb a profiterole. Don’t ask how.
An equal part of the joy of this was Lisa’s reaction. She ran away, giggling when Alex came out of the shed, dripping cake from under a strategically placed towel.
Andy Warhol’s Shot Marilyns
With such an image in my head, I had to do something with it. One iconic image deserves another, and there are few more iconic faces than that of Marilyn Monroe.
Andy Warhol certainly thought so. The silkscreen collection Shot Marilyns is one of his best-known works. This isn’t the name he gave the works – he called them Marilyns and made five in total. Each had a different background colour and slightly different colouring to the face. The “Shot” addition came about when the performance artist Dorothy Podber fired a single shot through a stack of four of the paintings. Her actions – a piece of performance art that Warhol did not appreciate – earned her a lifetime ban from The Factory.
Four of the five Marilyn paintings that Andy Warhol made in 1964.
Whether you’re a fan of pop art and the world of Andy Warhol, the colourful images of one of the greatest film starts of the 1950s, you can’t deny the paintings are memorable.
I tribute to this, I found a way to make images in a similar manner to the Marilyns. Using this method, I made my own set of images of Little Alex Horne’s face.
A triptych of Little Alex Horne – “Shocked Alex” – as he experiences love for the first time.
I quite like the triptych as it is. For the final design that uses the ‘four images’ presentation that is often used for these paintings, I wanted some words to go with the image.
Monty Python’s very rude song
In one of my first blog posts2 I talked about what makes me laugh. Monty Python is firmly in that camp, especially when they get silly.
The title of this section is a bit misleading. Python did a number of rude songs – the Not Noël Coward song from Meaning of Life springs to mind – but Sit on my Face is probably the rudest of all.
If you’re easily offended, don’t go looking for it.
However, the sentiment from the Python’s song and the sentiment from Lisa Tarbuck’s demonstration of love can find middle ground. A middle ground that, with a little tweaking, can enhance the four images of shocked Alex.
Taskmaster scoreboard from Season 13, Episode 1. Chris Ramsey – the person who enjoyed the experience the most of any contestant – set an early lead.
A recent publication by David Silver1 discusses the scoring in Taskmaster and how this impacts on the enjoyment of the series. It also looks at other metrics, such as the use of Large Language Model (LLM, a sort-of primitive AI) to analyse the script and detect sarcasm, among other things2.
The Abstract was enough for me to be sceptical about the study. Of all the metrics that were applied, the one that Little Alex Horne thinks is the most important was missed (from the abstract). It is the mix of people that’s the crucial element. I’ll come onto Silver’s treatment of that later.
What struck me was that if you want to know why we enjoy the show, a survey would do the trick. From what I’ve seen on the Taskmaster subreddit, most people see the scores as one of the many parts of the show. If anyone wants to win too much, it can be bad – John Robins strayed close to the ‘too needy’ zone. If they don’t care and do well (Jo Brand, Sarah Millican3, Sam Campbell4) that’s even better.
Or we get the joy of a contestant such as Julian Clarey, who clearly didn’t care until towards the end. There was more sitting forward in his seat as scores were given out in the later episodes. He lost by a few points, sacrificing the win for a gloriously calm meltdown in the road-sweeper task.
The main attraction for winning is likely to be the chance to do it all again in Champion of Champions.
Dara O Briain, the winner of the third Champion of Champions with the Little Alex Horne puppet and his very convincing wig.
Whose win is it anyway?
Contestants are comedians (or comedy-adjacent) and they have different ideas about what winning is. Getting a laugh is the win and it’s this instant, honest feedback that many of them crave. That, and getting paid on time.
Desiree Burch epitomises this attitude. There was a balloon-popping task in Series 12. She knew that the ‘correct’ way to do the task was to get the scissors, cut the string and release the portcullis. But she also knew the funny thing was to throw pebbles, rubber ducks, a bucket-load of forks and eventually the bucket itself at the balloon until finally taking the scissors.
Desiree Burch cementing herself as a contestant who understood the brief.
Who? Who?
So we come back to the most important of the many factors in Taskmaster – the cast and the cast mix.
I’ve usually known a couple of the contestants, but then I’m a fan of comedy5. These will be well-established figures from stand-up (Dara Ó Briain, Mel Giedroyc, Sue Perkins) or related areas (Charlotte Ritchie, Steve Pemberton, Lisa Tarbuck). Add in some that I am not familiar with (Fern Brady6, Rose Matafeo), or I have seen a couple of times on other things (Rosie Jones, John Kearns, Katie Wix) plus unknowns and we have a cast.
Eventually I get to know them all and their interaction is a major factor in the enjoyment. How the different minds complete the set-up that LAH wrote is the principal draw, that is the meat of the sandwich.
Silver assigns five ‘types’ to the contestants based on how well they do points-wise, and then fits each contestant in each season into these types. He tries to force his five types into every cast, like Cinderella’s sisters trying to force their feet into the glass slipper.
Assigning character types may be a better approach, but it gets very complex and I’m not a fan of assigning personality types7. There may be ten (or a different number) character traits that are needed in a cast, where each panellist has two or more components. Jack Dee is surly and competent. Julian Clary is sarcastic and insouciant. Kerry Godliman and Lisa Tarbuck were both straightforward ‘Bosh!’ merchants, but Godliman was competitive and Turbuck was laid back.
A moment of unalloyed joy for Kerry and Greg.
It’s a parody, innit?
The main reason for the points is that the show is a parody of competition. In his book ‘Be Funny or Die’, Joel Morris points out that a good parody has to look and feel like the thing it’s parodying. Spinal Tap only works because the music is professional quality and it looks like a documentary8. Airplane! works so well because there is a real aeroplane disaster plot thrumming away in the background and the cast play this straight. We follow the events of Galaxy Quest because the Thermians face extinction at the hands of the genocidal Sarris and their only hope is a bunch of shop-soiled actors.
There are points scored, so the show behaves like a panel show, the rhythms and beats are there to hang the chaos on. How the panellist behave is another matter and this is where the joy truly lies.
Artificial intelligence is really good at detecting sarcasm. ↩︎
Who would have walked away with the win in any other series (except maybe John Robins’), all the while not really caring. ↩︎
Sam won the most heart-warming series, with the two Sues forming an eternal friendship over a packet of NikNaks. ↩︎
That term suggests that there are people who don’t like comedy. I think the phrase in this case means people who go out of their way to find out about comedy and comedians, and go so far as to occasionally blog about comedy. ↩︎
Me Fern Brady! Me Fern Brady! I’m the rightful queen! ↩︎
Maybe there are people who are fans and I should be designing Myers-Briggs t-shirts for my shop. ↩︎
It’s based in silliness, which I have come to realise is where my humour lies. If I think of all my favourite sketches and stand-ups, there is a strong thread of the silly about them. Morecambe & Wise with Andrew Preview. “Who’s That Girl” from Harry Enfield. Ray Alan and Lord Charles, with Lord Charles demonstrating the art of ventrickolism. Monty Python, The Goons. Etc.
I’m not sure when I started watching it, I think I saw season 4 (Hugh ‘Desky’ Dennis and Mel Giedroyc were the two main draws) first.
I’m pretty sure Season 7 (2018) was the first I watched as it came out. This is up there with the best of the seasons, absolute chaos all the way through.
The strength of Taskmaster is the cast. With Season 7, they hit it right. In particular, we got Greg more involved due to his long-standing friendship with Rhod Gilbert. Oddly enough, I didn’t click with Jess Knappett to begin with. She was this vague, slightly annoying presence. That was until ‘Cul de Sac’.
This seemed to transform her into a 3 dimensional person worthy of having a piece of the stage named after her, and from then on, I loved them all.
There is an ongoing controversy about this series, centring on James Acaster’s performance. He maintains that he was the moral winner of his series, despite coming fourth.
Final scores for series 7, clearly showing that James, finishing on 165, was fourth behind Rhod (167), Jess (175) and Kerry (176).
However, I wouldn’t be a proper fan if I didn’t get a bit obsessive about the show. Is there any substance to James’ claim? Let’s have a think about another, inferior1, panel show hosted by someone who is far too tall – House of Games.
House of Games runs for five nights with the same cast of four. At the end of each episode the contestants are awarded points depending on where they finish – winner gets four points, second three, etc. So winning by ten points doesn’t translate to a certain win. What if we apply this to Taskmaster and see how James would have done?
Summary of the seventh series of Taskmaster using House of Games points scoring. The leader after each episode is highlighted.
We can see that James had a shocking start to the series, coming last in the first two episodes. Even Phil was ahead of him!
So using House of Games rules, Kerry and James would have been tied, Jessica Knappett would have been third with Rhod in fourth. Again. And then there’s Phil.
However. On House of Games the last episode (broadcast on Friday) is worth double points. So, because James won the last episode his points total rises to 40 and he, therefore, is the champion, just edging out Kerry and leaving Jess in fourth place.
Look me in the eyes and tell me I’m not a champion.
Inferior, but still a lot of fun. I particularly like the song intro round, where they play the intro to a song, fade it out and you have to guess when the singing starts. ↩︎
